A celebration of music in film.
A celebration of music in film.
All Classical Portland
presents
The Score
A
celebration
of
music
in
film
Producer & Host
Edmund Stone
Production Assistance provided by
Andrea Murray
Operational Support
Jordan Lewis
Key Grip
Andrea Rennie
Web Design
Alexander Bighill
The producers gratefully acknowledge the generous support of Bob’s Red Mill
…and for the many loyal fans listening around the U.S. and world at AllClassical.org
Additional support comes from a
Community Service Grant at
The Corporation for Public Broadcasting
Produced entirely on location at the fabulous studios of All Classical Portland
Copyright © MMXVII
All Classical Public Media, Inc.
A
celebration
of
music
in
film.
Edmund Stone reads two classic tales by Edgar Allen Poe. The art of storytelling is something that we’ve cherished since people first gathered around a fire by their caves. Over the millenia, the stories have changed, but not our love of a well-crafted tale. At this time of year, as Halloween approaches, tales of the…
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This week on The Score, with Edmund Stone, we get into the Halloween spirit by featuring a recent box set from Varese Sarabande on original soundtracks to post 1960s horror classics, including The Mephisto Waltz, The Nightmare on Elm Street, The Fly, Scream, The Serpent and the Rainbow and more. Purchase Varese Saraband’s “Little Box…
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This week on The Score, with Edmund Stone, we are attacked by the elements with music to movies including Finest Hour, Twister, Towering Inferno, Perfect Storm, Poseidon Adventure, The Day After Tomorrow and more.
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This week on The Score with Edmund Stone, movies where time has been tampered with, including Interstellar, Inception, Groundhog Day, Source Code and more.
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This week on The Score, with Edmund Stone, film director and producer Matt Schrader discusses his new movie Score: A Film Music Documentary and it’s theme of how a movie score is created and its impact in a movie. Also included contributors to the documentary including Hans Zimmer, John Williams and other well-known movie composers,…
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The Score shared All Classical Portland's post.
Join us Sunday at the The Hollywood Theatre for a special Halloween screening! And get your tickets SOON as these events typically sell out. Info and tickets at www.allclassical.org 🎥🎃
12 hours ago ·
Join us this Sunday, October 22nd at 2pm at the The Hollywood Theatre!
Hollywood Theatre Matinee | All Classical Portland
allclassical.org
Celebrate the spirit of Halloween at this spooky fun event for guests ages 10 and up! Join All Classical Portland and host Edmund Stone for a screening of “Coraline,” the 2009 first feature film from Portland-based animation studio LAIKA at the Hollywood Theatre, Sunday, October 22 at 2pm. This dark...
1 day ago ·
This week on The Score with Edmund Stone: we get into the Halloween spirit by featuring a recent box set from Varese Sarabande on original soundtracks to post 1960s horror classics, including The Mephisto Waltz, The Nightmare on Elm Street, The Fly, Scream, The Serpent and the Rainbow and more. Tune in to All Classical Portland this Saturday, October 14th at 2pm.
www.allclassical.org/
5 days ago ·
This week on The Score with Edmund Stone: we are attacked by the elements with music to movies including Finest Hour, Twister, Towering Inferno, The Perfect Storm, Poseidon Adventure, The Day After Tomorrow and more. Tune in to All Classical Portland this Saturday, October 7th at 2pm.
www.allclassical.org
2 weeks ago ·
Let me begin this review of ‘Blade Runner 2049” by admitting I was not a big fan of the original in 1982 but I was open to the possibility that a sequel would change my mind. It did.
While I don’t want to give away any spoilers, this is a relentless film of riveting suspense, powerful performances, amazing direction, and stunning cinematography.
“Blade Runner 2049” brings back Harrison Ford to reprise his original “Blade Runner” role and Ryan Gosling (“La La Land”). Gosling is riveting to watch. He understates, speaking volumes with his eyes. When there is no dialog there is Ryan Gosling. And here’s something you rarely read in a review, the movie’s sound design is so powerful and pervasive you may be forgiven for not realizing it’s there, constantly hitting you within the surreal, sepia tones of a futuristic, grimy and somber Los Angeles where it’s always raining.
Hans Zimmer and Benjamin Wallfisch (“It” and “Lights Out”) hit you hard with a pounding, percussive and relentless score that, like some of the film’s characters, takes no prisoners. Ultimately, by the conclusion to “Blade Runner 2049”, we are exhausted after two and a half hours and ready to welcome music for the final scenes that reflects peace, warm light … and blissful silence on screen!
“Blade Runner 2049” is being lauded as one of this year’s best films, a sequel that stands on its own merits whether you know the earlier movie or not. If, like me, you have pre-conceived opinions, feel free to park them at the door, as I did. You’ll be glad you did!
2 weeks ago ·
